New Music in China and the C. C. Liu Collection at the University of Hong Kong

New Music in China and the C. C. Liu Collection at the University of Hong KongThis publication is not a standard catalogue. Part A comprises five invited papers, each of which touches on a topic directly or indirectly related to the music of China in the twentieth century Barbara Mittler provides a brief account of C. C. Liu's life and his researches; Helen Woo writes on the significance of The C. C. Liu Collection; Chan Hing yan traces and criticizes some of the main trends of the modern Chinese orchestra over the past 60

Packed with useful tables to highlight and reinforce key material

this book looks at how the discourses and texts produced by students themselves are appropriated toward this end

Their beneficial association with plants allows the plant to endure different abiotic stresses imposed on it

This book links the contemporary Confucian revival to debates-both within and outside China-about global capitalism

its technologies

from the particular to the global

which is bound to the finite

" a concept that Professor Weld expands considerably

Hughes also draws on four twentieth-century continental thinkers-Jacques Lacan

Although the Victorian era's growing fascination with all things esoteric and occult had led to sundry examples of "mystical" fiction

speech and language pathology

the Soviet Union and Japan